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Basic Telescope Designs
The job of a telescope is to collect light, not to magnify an image (the eyepiece does that job). The larger the objective (the part that collects the light) whether it be a lens, in refractors, or a mirror, in reflectors, the more light the telescope will collect. The more light you can collect, the more detail you will be able to capture, and also important for astrophotography, the shorter your exposures will need to be to capture this detail.
Refractor Telescopes
The type of telescope most people visualize when they hear the word telescope is the 'Refractor'. This is what Galileo used for his break-thru discoveries. A refractor has an objective lens at the front which passes the light straight through to the back of the tube, focusing this light at an eyepiece or for astrophotography a camera.
Advantages:
-No central obstruction (see more in the reflecting scopes), giving higher contrast.
-Due to the simple design they require little maintenance.
-Excellent for planetary and lunar viewing and photography.
-Excellent for wide field viewing and astrophotography especially in shorter focal lengths (more on this later).
-Because the objective is permanently mounted and aligned there is no need for collimation (again more on this in another article).
-Excellent color in apochromatic and ED (Extra Dispersion) designs.
Disadvantages:
-Costlier per inch of aperture (objective) than reflectors and catadioptric telescopes.
-Can become bulky and difficult to manage, especially in larger lens designs.
Newtonian Telescopes
This design was invented by Sir Isaac Newton (he of the apple on the head fame). Instead of a lens at the front of the tube this telescope design uses a concave, parabolic mirror to collect light reflecting it back towards the front of the tube to a flat diagonal mirror which reflects the light out the side of the telescope to the eyepiece or camera for astrophotography.
Advantages:
-Lowest cost per inch of all the telescope designs.
-More light gathering power per dollar because of the lower cost design.
-Absolutely perfect color rendition.
-More compact design compared to a refractor of similar light gathering ability.
-Excellent contrast for planetary and lunar astrophotography and viewing in longer focal lengths.
-Can get excellent wide-field astrophotos and short exposures in shorter focal lengths.
Disadvantages:
-Slight loss of contrast due to the central obstruction (the flat secondary mirror) as compared to a refractor.
-Requires more maintenance, such as collimation (discussed in another article) which is vital for great results in your astrophotography, although you will learn how to do this quickly with practice.
Schmidt-Cassegrain Telescopes
This is a very popular design, with a high tech look. Also known as a CAT (Catadrioptics). They use a combination of lenses and mirrors to collect and focus the light onto the eyepiece or camera. The light enters the telescope through a thin 'lens' called a schmidt corrector plate, goes to the back of the scope to a spherical primary mirror which reflects the light back towards the front. Here the light strikes another mirror, the secondary mirror which is mounted on the corrector plate. This secondary mirror then reflects the light back towards the back where it is focused onto a hole in the primary mirror where the light is collected by an eyepiece or your astrophotography camera.
Advantages:
-Compact and portable.
-Low maintenance although once again collimation is required for top performance.
-Many, many astrophotography accessories available.
-Cheaper per inch of aperture as compared with refractors.
-Excellent all-round telescope, good to very good for both visual and astrophography.
-Very good for planetary and lunar viewing and astrophotography.
-Very good to excellent for DSO (Deep Space Object) astrophotography with a caveat (see the disadvantages).
-Very good to excellent optics, both Meade and Celestron are putting out excellent optics on a consistant basis.
Disadvantages:
-Costlier per inch of aperture as compared with Newtonian telescopes.
-Loss of contrast due to the central obstruction which is even larger than that in the Newtonian scopes.
-Due to their longer focal lengths the field of view is smaller and longer exposures are required for astrophotography, although a lens known as a focal reducer is available which minimizes or removes this problem. The longer focal length is actually an advantage in planetary and lunar photography.
Maksutov-Cassegrain
The Maksutov-Cassegrain telescope design is basically the same as the Schmidt-Cassegrain design except it uses a meniscus lens at the front instead of a Schmidt corrector plate. The main advantage to the Mak telescope design is you will get sharper higher contrast planetary and lunar images when compared with the Schmidt design.
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Interview No.2: 9 Years later: Just The Preamble
Ron Price
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The piece in The Harvard Advocate begins with a quotation from Daniel Boone and a short analysis of some of his life. I will begin my own interview here with this same quotation and story. –Ron Price with thanks to The Harvard Advocate(Fall 2004). Curiosity is natural to the soul of man and interesting objects have a powerful influence on our affections. Their influencing power actuates, by the permission or disposal of Providence, from selfish or social views; yet in time the mysterious will of Heaven is unfolded and we behold our conduct, from whatsoever motives excited, operating to answer the important designs of Heaven. --Daniel Boone, The Adventures of Colonel Daniel Boone, Formerly a Hunter,” 1793(1784)._________________________________ In 1769 Daniel Boone, thirty-five years old and already well-worn by two decades of frontier living, embarked on the journey that was to secure his place in American myth. To any sober-minded contemporary, his departure could hardly have seemed the most important of current events. In the same month, May 1769, the Virginia House of Burgesses would sign its “Resolves,” challenging the right of British Parliament to meddle in her colony's affairs, with Pennsylvania, Maryland, the Carolinas and Georgia to follow suit. Some distance east, Maria Bonaparte of Corsica was seven months pregnant with a certain future general; west, a group of Spanish missionaries had pressed through to the Pacific and, though besieged by locals, was nonetheless setting up the first Christian settlements on the Pacific. It is unlikely that Boone was aware of these things in any explicit sense. He could not possibly have known how deeply the disquietude of the Virginia local assemblies would resound, the revolutionary rupture they would initiate. Still less could he have anticipated the influence the Corsican infant would have on European history, or the discord that democratic sensibilities like his own would inspire in France, before that infant should rise to claim it. Yet, at the heart of these axes or, if you would prefer, as one link of this extraordinary constellation, he pressed on through thick woods toward the Mississippi River. Though it might seem strange to speak in sidereal terms of a man who these days is commemorated chiefly with plastic rifles and novelty mugs, his journey had profound implications. It was, for one, an act of political defiance: Boone set off in violation of England's 1763 Proclamation, prohibiting settlement beyond the Appalachians, at the fore of the westward migrations that would have such profound effects on the development of his country. Further still, whether deliberately or not, Boone was a pioneer of pioneering—arguably the paradigmatic American mode of self-invention. With all the wonderment and pleasure of an actual return to nature, Boone would persist against hardship, a model of the self-sufficiency so praised by philosophes of the European Enlightenment. If Thomas Jefferson pronounced the moral sense more powerful in a ploughman than a professor, because the former was less likely to have been “led astray by artificial rules,” Boone was the man plunging determinedly ahead into the unmapped wilderness without precept or precedent. It is precisely his seeming inconsequence—or, at least, his marginality—on the scene of truly cataclysmic developments, that makes him exemplary of a particularly American heroism: individual, grassroots, democratic, or practical—call it what one will. Especially today, in a political climate begging for self-reflection and introspection about our origins, about the character and duty of our country to its own professed ideals and to a global community its founders could not have imagined—Boone appears as the prototype of the reflective adventurer, of a national character to which we often allude.
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